If you see a Google Drive link instead of source url, means that the file witch you will get after approval is just a summary of original book or the file has been already removed. Loved each and every part of this book.
I will definitely recommend this book to music, non fiction lovers. Your Rating:. Your Comment:. This book reaches beyond experimental music and considers noise as an idea and practice within a wide range of frameworks including social, ecological, and philosophical perspectives. It introduces the ways in which the disruptive implications of noise impact our ways of thinking, acting, and organizing in the world, and applies it to 21st-century concerns and today's technological ecology.
As a solitary teenager stranded in the suburbs, Rob Sheffield had a lot to learn about women, love, music, and himself. And he was sure his radio had all the answers. As evidenced by the bestselling sales of Sheffield's first book, Love Is a Mix Tape, the connection between music and memory strikes a chord with readers. Talking to Girls About Duran Duran strikes that chord all over again, and is a pitch-perfect trip through '80s music-from Bowie to Bobby Brown, from hair metal to hip-hop.
But this book is not just about music. It's about growing up and how every song is a snapshot of a moment that you'll remember the rest of your life. This book proposes that new music technologies attract unconscious desires for socialism and collectivity, enabling millions of people living under capitalism to dream of repressed social alternatives. Grounded in the philosophical writings of Ernst Bloch and Walter Benjamin, the book examines file sharing technologies, streaming services, and media players, as well as their historical antecedents, such as the player piano, cassette tape, radio and compact disc, alongside interpretations of fiction, memoir, and albums.
Through the concept of wish images—the unconscious hopes and desires for social alternatives that gather around new technologies—the book identifies the repressed pre- and post-capitalist urges that attend our music technologies. While these desires typically remain unconscious and tend to pass away not only unmet but also unrecognized, Hope and Wish Image in Music Technology attempts to bring wishes for social alternatives to the surface at an auspicious moment of technological transition.
What if Questlove threw a dinner party and everyone came? With friends like his, Quest is one to trust. Now he is turning his hand to creating a cookbook. In Mixtape Potluck Cookbook, Questlove imagines the ultimate potluck dinner party, inviting more than fifty chefs, entertainers, and musicians—such as Eric Ripert, Natalie Portman, and Q-Tip—and asking them to bring along their favorite recipes.
He also pairs each cook with a song that he feels best captures their unique creative energy. Note: The cover material for this book is meant to mimic the texture and tactile quality of tinfoil and is intentional. Mixtape Nostalgia analyzes the role of the mixtape as a site of collective memory tied to youth culture, community identity, and sharing music.
The author looks at the history of the mixtape from the early s and the rise of the cassette as a fundamental aspect of the music industry. Stealing All Transmissions is a love story.
This history situates the Clash amid the cultural skirmishes of the s and culminates with their September performance at the Palladium in New York City. The book represents a distinctive take on the history of punk, for no other book gives proper attention to the forces of free-form radio, long-form rock journalism, or Clash bootleg recordings, many of which are now widely available on the web. Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world.
From a broad range of perspectives and approaches, this handbook explores avocational involvement with music as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music.
This book proposes that new music technologies attract unconscious desires for socialism and collectivity, enabling millions of people living under capitalism to dream of repressed social alternatives. Grounded in the philosophical writings of Ernst Bloch and Walter Benjamin, the book examines file sharing technologies, streaming services, and media players, as well as their historical antecedents, such as the player piano, cassette tape, radio and compact disc, alongside interpretations of fiction, memoir, and albums.
Through the concept of wish images—the unconscious hopes and desires for social alternatives that gather around new technologies—the book identifies the repressed pre- and post-capitalist urges that attend our music technologies. While these desires typically remain unconscious and tend to pass away not only unmet but also unrecognized, Hope and Wish Image in Music Technology attempts to bring wishes for social alternatives to the surface at an auspicious moment of technological transition.
Our national conversation about race is ludicrously out-of-date. Hip-hop is the key to understanding how things are changing. In a provocative book that will appeal to hip-hoppers both black and white and their parents, Bakari Kitwana deftly teases apart the culture of hip-hop to illuminate how race is being lived by young Americans. This topic is ripe, but untried, and Kitwana poses and answers a plethora of questions: Does hip-hop belong to black kids?
What in hip-hop appeals to white youth? Is hip-hop different from what rhythm, blues, jazz, and even rock 'n' roll meant to previous generations? How have mass media and consumer culture made hip-hop a unique phenomenon? What does class have to do with it? Are white kids really hip-hop's primary listening audience? How do young Americans think about race, and how has hip-hop influenced their perspective? Kitwana addresses uncomfortable truths about America's level of comfort with black people, challenging preconceived notions of race.
With this brave tour de force, Bakari Kitwana takes his place alongside the greatest African American intellectuals of the past decades. Mixtape Nostalgia analyzes the role of the mixtape as a site of collective memory tied to youth culture, community identity, and sharing music.
The author looks at the history of the mixtape from the early s and the rise of the cassette as a fundamental aspect of the music industry. Audible Empire rethinks the processes and mechanisms of empire and shows how musical practice has been crucial to its spread around the globe.
Music is a means of comprehending empire as an audible formation, and the contributors highlight how it has been circulated, consumed, and understood through imperial logics. These fifteen interdisciplinary essays cover large swaths of genre, time, politics, and geography, and include topics such as the affective relationship between jazz and cigarettes in interwar China; the sonic landscape of the U.
0コメント